Global Xbox Live key | ||
Global Standard | €19.83 |
Set following the events seen in Borderlands 2, Tales from the Borderlands focuses on Rhys, a Hyperion company man who wants to become the next Handsome Jack, and it’s also about Fiona, a Pandoran con artist intending to score the biggest of all swindles. Baited into danger by a Vault key and all it promises, the unlikely pair are thrown together with a common purpose and a great amount of mistrust. Who is speaking the truth, and why is it important? That is for you to decide.
It’s important to remember that there *are* two sides to every story, and you will tell this tale, or…tales, through the choices that you make. Your every decision as both Rhys and Fiona will affect the people and environment around you: this is a game where YOU are the final author in a brand new Borderlands story set on the unforgiving world of Pandora.
Telltale's take on normal people trying to be Vault Hunters is off to a great start. [Issue#257, p.74]
With Tales from the Borderlands, Telltale proves that they are not merely masters of drama; they can also write comedy. [Jan 2015]
Telltale proves they can adapt their narrative skills to almost any franchise, and brings us one of the best first episodes we've seen in any of their series.
Still, Tales from the Borderlands is off to a great start in its plot and personalities. If Telltale can focus more on our heroes’ banter and comical interactions in coming episodes, it will only get better.
You know and recognize the Telltalte template, sure, but the funny Tales from the Borderlands draws a lot of entertainment value from removing itself from the more dramatic Wolf among Us and The Walking Dead.
A surprisingly valid and entertaining story, capable of casting a new light on Borderlands' world. Too bad for its technical problems like huge stutters and the complete absence of an Italian localization, even in subtitles.
A good effort at bringing the OTT planet of Pandora down to earth for a game that's less about guns and more about characters and conversion. [Issue#120, p.74]
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