There are only a handful of titles that I come across that I would truly recommend gamers to experience — Get Even is one such example. If you enjoyed titles like Quantum Break and Deus Ex: Mankind Divided, with an element of thriller thrown in, you’re sure to enjoy this.

Get Even might be the Inception game we deserve. The script and the constant plot twists present one of the most twisted scenarios I’ve ever played. The tense atmosphere that surrounds the game will catch us until the end while revisiting the memories of a dramatic event.

Get Even is a winner, and if you like film noir, dark crime stories and/or games that make you think, then you need to check it out.

It's not a shooter, nor a survival horror or a graphic adventure. Get Even is a mix that creates a terrifying experience that could've been written by Stephen King. It has some mistakes in the gaming design, compensated for by a lot of hours of gameplay.

Get Even is better as an experience than as a game, but it’s an extremely evocative experience. Even still, what could have been a completely unique gaming experience is hampered by its desire to be a more action-oriented, generic thriller.

Get Even uses some light brushstrokes of cliches but ultimately paints a picture much more unconventional than it may at first seem. In both story and gameplay, your expectations will be subverted several times over. Not all of its risks pay off, but when they do they ensure the game is a refreshing addition to the medium. Part shooter, part exploration and investigation while always compelling, Get Even is the strange mashup of Saw and Eternal Sunshine we never knew we wanted. If you play games for story and can forgive some forgettable shootouts and visuals, Get Even may someday be a fond memory of yours.

Good ideas are drowned out by a confusing story and frustrating controls. [Sept 2017, p.72]